Bayou City Ballet Spring Showcase
Bayou City Ballet Youth Company presents a weekend of contemporary and classical ballet, featuring the premiere works by internationally recognized choreographers Katlyn Addison, Randall Flinn, and Nao Kusuzaki.
Tag archive for Music
Bayou City Ballet Spring Showcase
Bayou City Ballet Youth Company presents a weekend of contemporary and classical ballet, featuring the premiere works by internationally recognized choreographers Katlyn Addison, Randall Flinn, and Nao Kusuzaki.
1968 – The Whole World is Watching
Open Dance Project presenting “1968- The Whole World is Watching,” an immersive dance theater performance commissioned by the Cynthia Woods Mitchell Center
Bayou City Ballet Spring Showcase
Bayou City Ballet Youth Company presents a weekend of contemporary and classical ballet, featuring the premiere works by internationally recognized choreographers Katlyn Addison, Randall Flinn, and Nao Kusuzaki.
1968 – The Whole World is Watching
Open Dance Project presenting “1968- The Whole World is Watching,” an immersive dance theater performance commissioned by the Cynthia Woods Mitchell Center
1968 – The Whole World is Watching
Open Dance Project presenting “1968- The Whole World is Watching,” an immersive dance theater performance commissioned by the Cynthia Woods Mitchell Center
1968 – The Whole World is Watching
Open Dance Project presenting “1968- The Whole World is Watching,” an immersive dance theater performance commissioned by the Cynthia Woods Mitchell Center
1968 – The Whole World is Watching
Open Dance Project presenting “1968- The Whole World is Watching,” an immersive dance theater performance commissioned by the Cynthia Woods Mitchell Center
1968 – The Whole World is Watching
Open Dance Project presenting “1968- The Whole World is Watching,” an immersive dance theater performance commissioned by the Cynthia Woods Mitchell Center
1968 – The Whole World is Watching
Open Dance Project presenting “1968- The Whole World is Watching,” an immersive dance theater performance commissioned by the Cynthia Woods Mitchell Center